| Paper ID | Paper title | Author(s) | 
	| 1005 | free sound within culturally specific practice | gluck, robert | 
	| 1017 | the combination of visual and sonic generative processes in a digital landscape | otondo, felipe; petersen, thomas | 
	| 1020 | the suicided voice - the mediated voice | bokowiec, julie; bokowiec, mark | 
	| 1061 | musical thought networked | tanzi, dante | 
	| 1099 | melody detection in polyphonic audio: using note salience and melodic smoothness | cardoso, am�lcar; mendes, teresa; paiva, rui pedro | 
	| 1138 | an sql-based control system for live electronics | canavese, francesco; giomi, francesco; meacci, damiano; schwoon, kilian | 
	| 1293 | template based key finding from audio | izmirli, ozgur | 
	| 1297 | freedom within structural constraints in the darkride composition harrican day | england, robert | 
	| 1326 | mmt travel kit | mountain, rosemary | 
	| 1003 | towards an automated music teaching system: automatic recognition of musical melodies using the wf-4r | takanishi, atsuo; suefuji, kei; chida, keisuke; solis alfaro, jorge | 
	| 1006 | the overtone violin: a new computer music instrument | overholt, dan | 
	| 1008 | algebraic groups and chord tesselations | jedrzejewski, franck | 
	| 1009 | the music, technology and innovation research centre (mti) at de montfort university � studio report | landy, leigh | 
	| 1010 | simulation of human voice timbre by orchestration of acoustic music instruments | hummel, thomas a. | 
	| 1013 | synapse>valentine: reuniting acoustic and electronic | baguyos, jeremy castro | 
	| 1014 | the deleuze-ian/guattarian performance: performancing at n-1 dimensions | franziska, schroeder | 
	| 1015 | collaboration with live audiences in the orchestral concert hall | freeman, jason | 
	| 1019 | an automated event analysis system with compositional applications | collins, nick | 
	| 1021 | a genetic algorithm for the automatic generation of playable guitar tablature | tuohy, daniel r.; potter, walter d. | 
	| 1022 | midi to sp-midi transcoding using phrase stealing | lui, simon; horner, andrew; ayers, lydia | 
	| 1023 | timing is tempo-specific | honing, henkjan | 
	| 1024 | jack audio server for multi-processor machines | letz, stephane; fober, dominique; orlarey, yann | 
	| 1026 | plymouth brain-computer music interface project: intelligent assistive technology for music-making | mullaney, hilary; boskamp, bram; brouse, andrew; miranda, eduardo | 
	| 1027 | musical score generation | kim-boyle, david | 
	| 1028 | image-sound integration in two works for piano and computer | kim-boyle, david | 
	| 1030 | semi-supervised classification of muscial genre using multi-view features | yang, jing; zhang, changshui; xu, yunpeng | 
	| 1032 | imutus score processing components | fober, dominique; letz, st�phane; orlarey, yann | 
	| 1033 | editing strategies for b�zier-modeled continuous expression curves | battey, bret | 
	| 1035 | block-based physical modeling for digital sound synthesis of membranes and plates | rudolf, rabenstein; stefan, petrausch | 
	| 1036 | composition as game strategy: making music by playing board games against evolved artificial neural networks | zhang, qijun; miranda, eduardo | 
	| 1037 | kitty: a package for external patches communication management in max/msp � a progress report | sousa dias, antonio; ferreira lopes, paulo | 
	| 1038 | the architecture of auracle: a voice-controlled, networked sound instrument | freeman, jason; ramakrishnan, sekhar; varnik, kristjan; neuhaus, max; burk, phil; birchfield, david | 
	| 1041 | inner room extension of a general model for spatial processing of sounds | yadegari, shahrokh | 
	| 1044 | rolling the jching: an algorithmic compositional system | hamilton, robert | 
	| 1045 | jack-on: a low-cost wireless sensor interface | moon, barry | 
	| 1046 | a novel approach to mixed model discrete-time domain simulation of the sound field generated by a string | escolano, jos�; pueo, basilio; petrausch, stefan; rabenstein, rudolf | 
	| 1048 | extended principal components analysis matching with spectral weighting for wavetable synthesis | wun, simon; horner, andrew; ayers, lydia | 
	| 1050 | granular synthesis of sounds through markov chains with fuzzy control | maia, adolfo; miranda, eduardo | 
	| 1052 | lie poisson synthesis | benzel, steven | 
	| 1053 | amazon time zone | keller, damian; capasso, ariadna; capasso, diana | 
	| 1054 | the �cosmos� model; an event generation system for synthesizing emergent sonic structures | bokesoy, sinan | 
	| 1062 | automatic generation of metrical structure based on gttm | tojo, satoshi tojo; hirata, keiji hirata; hamanaka, masatoshi hamanaka | 
	| 1064 | application of image sonification methods to music | berger, jonathan; yeo, woon seung | 
	| 1065 | developing cross-platform audio and music applications with the clam framework | amatriain, xavier; arumi, pau | 
	| 1067 | a simple dynamic tone hole model for real-time synthesis of clarinet-like instruments | guillemain, philippe; terroir, jonathan | 
	| 1068 | an interactive aural approach to the analysis of computer music | clarke, michael | 
	| 1069 | new warped lpc-based feature for fast and robust speech/music discrimination | rivas pe�a, fernando; vera candeas, pedro; ruiz reyes, nicolas; garcia galan, sebastian; mu�oz exposito, jose enrique | 
	| 1070 | modernising live electronics technology in the works of jonathan harvey | coccioli, lamberto; bullock, jamie | 
	| 1071 | new approaches to digital subtractive synthesis | huovilainen, antti; valimaki, vesa | 
	| 1072 | multi-ripple loss filter for waveguide piano synthesis | lehtonen, heidi-maria; rauhala, jukka; valimaki, vesa | 
	| 1073 | spaa: an agent based interactive composition | spicer, michael | 
	| 1074 | the first five years of concatenative sound synthesis | schwarz, diemo | 
	| 1075 | the compositional processes of electroacoustic composers: four contrasting perspectives | upton, catherine; eaglestone, barry; ford, nigel | 
	| 1076 | evolving adaptive sensors in a synthetic listener | peter, beyls | 
	| 1077 | the "air worm": an interface for real-time manipulation of expressive music performance | widmer, gerhard; goebl, werner; dixon, simon | 
	| 1078 | studio report: music research centre, department of music, university of york | myatt, tony | 
	| 1079 | extensions to the similarity neighborhood model for finding subsequences of   melodies in musical pieces | obermayer, klaus; adiloglu, kamil | 
	| 1083 | towards schenkerian analysis by computer: a reductional matrix | marsden, alan | 
	| 1085 | a pen-based musical score editor | s�bastien, mac�; eric, anquetil; elodie, garrivier; bruno, bossis | 
	| 1086 | scrime studio report | desainte-catherine, myriam; hanna, pierre; marchand, sylvain | 
	| 1087 | demonstration of faust signal processing language | orlarey, yann; fober, dominique; letz, stephane | 
	| 1088 | data anticipation for gesture recognition in the air percussion | desainte-catherine, myriam; marchand, sylvain; havel, christophe; goudard, vincent | 
	| 1089 | a flexible authoring tool for wave field synthesis | pueo, basilio; escolano, jos�; l�pez, jos� javier; bleda, sergio | 
	| 1090 | ixi software: open controllers for open source audio software | magnusson, thor | 
	| 1091 | imutus - an effective practicing environment for music tuition | orlarey, yann; hansen, kjetil falkenberg; baxevanis, alexandros; letz, stephane; schoonderwaldt, erwin; chalamandaris, aimilios; fober, dominique; askenfelt, anders; raptis, spyros | 
	| 1092 | an evaluation of warping techniques applied to partial envelope analysis | timoney, joseph; lysaght, tom; macmanus, lorcan; lazzarini, victor | 
	| 1094 | modeling a processive perspective on meter in music | volk, anja | 
	| 1095 | notation-based ancient greek music synthesis with arion | politis, dionysios; vandikas, konstantinos; margounakis, dimitrios | 
	| 1096 | from boulez to ballads: training ircam's score follower | schwarz, diemo; cont, arshia; schnell, norbert | 
	| 1097 | modalys demonstration | ellis, nicholas; bensoam, jo�l; causs�, ren� | 
	| 1098 | tiling the (musical) line with polynomials: some theoretical and implementational aspects | emmanuel, amiot; moreno, andreatta; carlos, agon | 
	| 1102 | karaoke system with spatial acoustics estimation for vocal or instrumental removal | dubnov, shlomo; xiang, pei | 
	| 1103 | a streaming object oriented implementation of the modal distribution | lazzarini, victor; lysaght, thomas; timoney, joseph | 
	| 1104 | synthesis and perceptual manipulation of percussive sounds | ystad, solvi; kronland-martinet, richard; aramaki, mitsuko; voinier, thierry | 
	| 1105 | haile � towards robotic musicianship | weinberg, gil; driscoll, scott; parry, mitch | 
	| 1106 | automatic location of vocal music thumbanil | shi, yuan-yuan; zhu, xuan; oh, kwang-cheol | 
	| 1111 | drumtrack: beat induction from an acoustic drum kit with synchronised scheduling | collins, nick | 
	| 1113 | symbolic control of sound synthesis in a computer-assisted composition environment | carlos, agon; marco, stroppa; jean, bresson | 
	| 1115 | mimesis, a visual and musical instrument | karman, gregorio; sim�, agueda | 
	| 1116 | synthesizing a javanese gong ageng | ayers, lydia; horner, andrew | 
	| 1117 | a physical model and experimental testbed for real-time simulation of flute-like instruments | de la cuadra, patricio; fabre, benoit | 
	| 1118 | lattice: strategies for and against control in an improvisation instrument | burns, christopher | 
	| 1119 | software agents and creating music/sound art:  frames, directions, and where to from here ? | whalley, ian | 
	| 1120 | using timbre in a computer-based improvisation system | hsu, william | 
	| 1121 | software for spectral analysis, editing, and synthesis | klingbeil, michael | 
	| 1122 | extending dynamic stochastic synthesis | brown, andrew | 
	| 1124 | group structure and equivalence classes in extended twelve-tone operations | ilom�ki, tuukka | 
	| 1126 | evolution and embodiment: playable instruments for free music | favilla, stuart | 
	| 1127 | visual audio - a package for designing, tuning and testing audio applications for embedded processors | van duyne, scott; stilson, tim; jaffe, david a. | 
	| 1129 | radial/elliptical basis function neural networks for timbre classification | cook, perry; park, tae hong | 
	| 1132 | navigating the landscape of computer aided algorithmic composition systems: a definition, seven descriptors, and a lexicon of systems and research | ariza, christopher | 
	| 1134 | real-time auditory models | pressnitzer, daniel; gnansia, dan | 
	| 1135 | concatenation and stretch/squeeze of musical instrumentalsound using sound morphing | osaka, naotoshi | 
	| 1136 | michelangelo lupone: "corda di metallo" (1997) | cianciusi, walter | 
	| 1137 | sliding is smoother than jumping | ffitch, john; bradford, russell; dobson, richard | 
	| 1139 | dissonance, noise and sex: (re)building (hi)stories of electroacoustic music | �lvarez fern�ndez, miguel | 
	| 1140 | enp expression designer - a visual tool for creating user definable expressions | kuuskankare, mika; laurson, mikael | 
	| 1141 | sound diffusion using hand-held light-emitting pen controllers | rebelo, pedro; alcorn, michael; brown, ken | 
	| 1142 | electroacoustic performance interfaces that learn from their users | melo, andr�s; drever, john; wiggins, geraint | 
	| 1143 | emergence as a sonic construct | rebelo, pedro; davis, tom | 
	| 1144 | paths on stern-brocot tree and winding numbers of modes | vicinanza, domenico | 
	| 1145 | a virtual patchbay for robust distributed interactive music systems | dannenberg, roger | 
	| 1149 | ace: a general-purpose classification ensemble optimization framework | mckay, cory; mcennis, daniel; fiebrink, rebecca; fujinaga, ichiro | 
	| 1150 | using a perceptually based timbre metric for parameter controlestimation in a physical model of the clarinet | smith, julius; berger, jonathan; terasawa, hiroko | 
	| 1153 | extracting the melody of an image using probabilistic genetic algorithm | ghavami zadeh, ramak; pirnia, abbas | 
	| 1154 | audio signal driven sound synthesis | poepel, cornelius; dannenberg, roger b. | 
	| 1155 | large-scale duration organization in �hodoi t� erg�� | kuitunen, kimmo; kuuskankare, mika; laurson, mikael | 
	| 1156 | an efficient algorithm for motivic pattern extraction based on a cognitive modeling | lartillot, olivier | 
	| 1157 | on the relative influence of even and odd harmonics in clarinet timbre | barthet, mathieu; guillemain, philippe; kronland-martinet, richard; ystad, solvi | 
	| 1159 | beginner�s mind:  an environment for sonic improvisation | ciufo, thomas | 
	| 1160 | design and implementation of automatic evaluation of recorder performance in imutus | falkenberg hansen, kjetil; askenfelt, anders; schoonderwaldt, erwin | 
	| 1161 | timbre, time, pitch and gestural motion in �ris by jo�o pedro oliveira-all | rudy, paul | 
	| 1162 | tactile composition systems for collaborative free sound | o'shea, chris; livingstone, dan | 
	| 1165 | the phase project : haptic and visual interaction for music exploration | lambert, jean-philippe; gosselin, florian; rodet, xavier; pascal, mobuchon; roland, cahen | 
	| 1169 | state-based sequencing: directing the evolution of music | prugel-bennett, adam; nixon, mark s.; jewell, michael o. | 
	| 1171 | a new dissimilarity metric for the clustering of partials using the common variation cue | lagrange, mathieu | 
	| 1172 | a smarter way to find pitch | wyvill, geoff; mcleod, philip | 
	| 1173 | peak extraction and partial tracking of music signals using kalman filtering | satar-boroujeni, hamid; shafai, bahram | 
	| 1174 | micro textures with marco-notes | kuuskankare, mika; laurson, mikael | 
	| 1175 | elevation problems in the auralisation of sound sources with arbitrary shape with wave field synthesis | baalman, marije | 
	| 1177 | surviving on planet ccrma, two years later and still alive | lopez-lezcano, fernando | 
	| 1178 | an algorithm for audio skew compensation in low latency environments | werner, stefan | 
	| 1180 | haptic theremin: developing a haptic musical controller using the sensable phantom omni | cunitz, bryan; moss, william 'pete' | 
	| 1181 | design, implementation, and application of a generative model for soundscape creation | birchfield, david; mattar, nahla; sundaram, hari | 
	| 1182 | responsive environments: new technology and theatre sound | kraskin, michael | 
	| 1183 | combining audio and gestures for a real-time improviser | morales, roberto; morales, eduardo | 
	| 1185 | lambda-gtk: a portable graphics layer for common music | taube, heinrich | 
	| 1188 | the digital intonarumori | serafin, stefania | 
	| 1189 | using codes: cooperative music prototyping and its educational perspectives | manara miletto, evandro | 
	| 1191 | the ballancer --- gesturally controlled physics-based sound | rath, matthias | 
	| 1192 | isis, an alternative approach to sound waves | barlow, clarence | 
	| 1193 | motivic analysis regarding rudolph reti: formalization within a topological model | buteau, chantal | 
	| 1194 | phase bashing for sample-based formant synthesis | puckette, miller | 
	| 1196 | sonenvir - a progress report | h�ldrich, robert; frauenberger, christopher; de campo, alberto | 
	| 1197 | orb3 � musical robots within an adaptive  social composition system | livingstone, dan; miranda, eduardo | 
	| 1198 | towards a roadmap for the research in music technology | serra, xavier | 
	| 1200 | visualization of low dimensional structure in tonal pitch space | saul, lawrence k.; burgoyne, j. ashley | 
	| 1202 | geometry in sound: a speech/music audio classifier inspired by an image classifier | k�gl, bal�zs; eck, douglas; casagrande, norman | 
	| 1205 | ftm - complex data structures for max | schnell, norbert schnell | 
	| 1207 | sndtools: real-time audio dsp and 3d visualization | cook, perry; wang, ge; misra, ananya | 
	| 1208 | optimal positioning in low-dimensional control spaces using  convex optimization | wessel, david; kassakian, peter | 
	| 1209 | towards the synthesis of wavefront evolution in 2-d | essl, georg | 
	| 1210 | a synaesthetic approach for a synthesizer interface based on genetic algorithms and fuzzy sets | schatter, g�nther; z�ger, emanuel; nitschke, christian | 
	| 1211 | perceptual atomic noise | jensen, kristoffer | 
	| 1213 | improvisation planning and jam session design using concepts of sequence variation and flow experience | assayag, gerard | 
	| 1216 | musical processes | mayer-lindenberg, fritz | 
	| 1218 | algorithms today - notes on language design for just in time programming | wieser, renate; de campo, alberto; rohrhuber, julian | 
	| 1220 | gismo: an application for agent base composition | uozumi, yuta | 
	| 1225 | designing and implementing chuck and the turing time machine | misra, ananya; cook, perry; wang, ge | 
	| 1227 | ilearn: an itunes audio indexing plug-in for education | mcallister, graham | 
	| 1230 | control of vst plug-ins using osc | zbyszynski, michael | 
	| 1231 | performing algorithmic computer music | esler, robert | 
	| 1233 | qosqo: spirituality, process and structure | kendall, gary | 
	| 1234 | wavetable interpolation of multiple instrument tones | mohr, jonathan; li, xiaobo | 
	| 1235 | a stethoscope for imaginary sound: interactive sound in a health care environment | wilson, paul; alcorn, michael; rebelo, pedro | 
	| 1237 | spatialisation using sounding objects | bilbao, stefan; alcorn, michael; van walstijn, maarten | 
	| 1238 | the prosthetic conga: towards an actively controlled hybrid musical instrument | rebelo, pedro; van walstijn, maarten | 
	| 1239 | new sound decomposition method applied to granular synthesis | pottier, laurent; bascou, charles | 
	| 1244 | towards a semantic descriptor of subjective intensity in music | sandvold, vegard | 
	| 1245 | "play it again, south" [where all that music was before?] | dal farra, ricardo | 
	| 1246 | sarc: studio report | alcorn, michael; corrigan, chris; rebelo, pedro | 
	| 1247 | re-wired : reworking 20th century live electronics for today | polfreman, richard; dearden, ian; sheppard, david | 
	| 1248 | liem-cdmc, studio report | n��ez, adolfo | 
	| 1249 | the machine learning and intelligent music processing group at the austrian research institute for artificial intelligence (�fai), vienna | widmer, gerhard; dixon, simon; flexer, arthur; goebl, werner; knees, peter; madsen, soren tjagvad; pampalk, elias; pohle, tim; schedl, markus; tobudic, asmir | 
	| 1250 | forma del respiro by michelangelo lupone | spanu, luca | 
	| 1251 | the virtual electronic poem (vep) project | lombardo, vincenzo | 
	| 1253 | rtmidi, rtaudio, and a synthesis toolkit (stk) update | cook, perry; scavone, gary | 
	| 1254 | a finite difference plate model | bilbao, stefan | 
	| 1258 | analysis of electroacoustic works with music and language intersections | segnini, rodrigo; ruviaro, bruno | 
	| 1259 | estimating transfer function from the air conduction to the bone conduction using singing voice | berger, jonathan; won, sook young | 
	| 1260 | a taxonomy of sequencer user-interfaces | duignan, matthew; biddle, robert; noble, james | 
	| 1261 | studio report: university of victoria music intelligence and sound technology interdisciplinary centre (mistic) | driessen, peter f.; schloss, w. andrew; tzanetakis, george; mcnally, kirk; kapur, ajay | 
	| 1262 | page turning and image size in a digital music stand | bell, tim; church, annabel; mcpherson, john; bainbridge, david | 
	| 1263 | audio analogies: creating new music from an existing performance by concatenative synthesis | agrawala, maneesh; salesin, david; basu, sumit; simon, ian | 
	| 1264 | a history of robotic musical instruments | kapur, ajay | 
	| 1267 | time-stretching using the instantaneous frequency distribution and partial tracking | lysaght, tom; timoney, joe; lazzarini, victor | 
	| 1268 | varese's poeme electronique regained: evidence from the vep project | ffitch, john; dobson, richard; tazelaar, kees; lomdardo, vincenzo; valle, andrea | 
	| 1269 | importance of inharmonicity in the acoustic guitar | karjalainen, matti; j�rvel�inen, hanna | 
	| 1271 | guitar fingering for music performance | radicioni, daniele | 
	| 1273 | home conducting � control the overall musical expression with gestures | friberg, anders | 
	| 1274 | electroacoustic music laboratory. jesus guridi conservatoire of music | garcia de la torre, alfonso | 
	| 1275 | what is the color of that music performance? | bresin, roberto | 
	| 1277 | virtual audio reproduction engine for spatial environments | zm�lnig, johannes m; musil, thomas; zouhar, vit; h�ldrich, robert | 
	| 1279 | the semantichifi project | hugues, vinet | 
	| 1280 | the reactable* | jord�, sergi; kaltenbrunner, martin; geiger, g�nter; bencina, ross | 
	| 1281 | intra-note features prediction model for jazz saxophone performance | ramirez, rafael; hazan, amaury; maestre, esteban | 
	| 1283 | tonality visualization of polyphonic audio | bonada, jordi; g�mez, emilia | 
	| 1284 | an associative approach to computer-assisted music composition | dahan, kevin | 
	| 1285 | a goals-based review of physical modelling for music | cadoz, claude; castagne, nicolas | 
	| 1286 | the thing like us: a topology of ultra-low frequencies | van maas, sander | 
	| 1288 | developing tools for studying musical gestures within the max/msp/jitter environment | jensenius, alexander refsum; godoy, rolf inge; wanderley, marcelo m. | 
	| 1289 | semantic segmentation of music audio contents | herrera, perfecto; ong, bee suan | 
	| 1291 | the laboratory for creative arts & technologies - studio report | beck, stephen david | 
	| 1294 | the m-objects: a small library for musical rhythm generation and musical tempo control from dance movement in real time | guedes, carlos | 
	| 1299 | a framework for perceptually-based interaction in sound synthesis | hepting, daryl; gerhard, david | 
	| 1300 | sound re-synthesis from feature sets - audible insight into a music feature extraction process | p�lzlbauer, georg; rauber, andreas; lidy, thomas | 
	| 1301 | time variable tempo detection and beat marking  (using reassigned spectral energy flux, combined dtf/acf and viterbi algorithm) | peeters, geoffroy | 
	| 1302 | music haptic : musical harmony notions for all with a force feedback mouse and a spatial representation | tornil, bertrand | 
	| 1303 | towards a holophonic musical texture | kokoras, panayiotis | 
	| 1306 | implicit patching for dataflow-based audio analysis and synthesis | tzanetakis, george; bray, stuart | 
	| 1307 | a generalized parametric reed model for virtual musical instruments | smyth, tamara; abel, jonathan; smith iii, julius o. | 
	| 1308 | larynxophone: using voice as a wind controller | loscos, alex; celma, oscar | 
	| 1311 | the rhythm transform: towards a generic rhythm description | guaus, enric; herrera, perfecto | 
	| 1312 | automated testing of open-source music software with opensound control | chaudhary, amar | 
	| 1314 | piano case, keyboard, and strings: separation-derived musical instruments in an interactive composition | kojs, juraj | 
	| 1315 | why does the acoustic space of churches exalt the gregorian chant? a first step towards acoustic characterization by means of modulation transfer function | onali, paolo; astolfi, arianna; pisani, raffaele; vitale, renzo | 
	| 1316 | the integral music controller: introducing a direct emotional interface to gestural control of sound synthesis | cook, perry r.; knapp, r. benjamin | 
	| 1317 | co-audicle: a collaborative audio programming space | cook, perry; davidson, philip; misra, ananya; wang, ge | 
	| 1318 | medialogy at aalborg university copenhagen | nordahl, rolf; serafin, stefania | 
	| 1319 | pocket gamelan: a blueprint for performance using wireless devices | havryliv, mark; schiemer, greg | 
	| 1323 | real time signal transposition with envelope  preservation in the phase vocoder | rodet, xavier; roebel, axel | 
	| 1327 | studio report: university of minnesota, usa | geers, douglas | 
	| 1328 | open-source matlab tools for interpolation of sdif sinusoidal synthesis parameters | wright, matthew; smith, julius | 
	| 1330 | timbre as a psychoacoustic parameter for harmonic composition and analysis | einbond, aaron; hunt, jeremy; maccallum, john | 
	| 1332 | dissco: a unified approach to sound synthesis and composition | tipei, sever; kaper, hans | 
	| 1333 | wireless dance control:  pair and wisear | topper, david; swendsen, peter | 
	| 1334 | musicstrands: the platform for discovering and exploring music | torrens, marc | 
	| 1335 | fuzzy rules in computer-assisted music interpretation | kiseliova, tatiana | 
	| 1337 | musique lab 2 : a three level approach for  music education at school | vincent, puig | 
	| 1338 | if i had a hammer: design and theory of an electromagnetically-prepared piano | berdahl, edgar; backer, steven; smith iii, julius o. |